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作者簡介

李維定，1956年出生，一級美術師。現任上海文薈書畫院副院長、奉化書畫社名譽社長。上海海派中國畫人物畫的耕耘者之一。擅畫人物，他創作的繪畫作品常常引人關注并產生共鳴。

20世紀80年代創作的連環畫《老驥伏櫪》《歐陽修》入選《中國詩歌故事》連環畫套書，獲第三屆全國連環畫套書評比一等獎。2005年與其父親李天心聯手創作的連環畫套書《野火春風斗古城》被評為"全國百部圖書"之一。系列懷舊中國畫作品——

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◎孟母三遷圖

Mother moving residences for his better upbringing

孟家住在墓地旁邊，每有葬禮，小孟軻就去湊熱鬧。母親見他玩耍時總模仿葬禮儀式—— 挖坑、埋東西、跪拜、號哭，認為這不是他該學的東西，于是決定搬家。他們搬到商鋪林立、熱鬧非常的集市旁。小孟軻又和新朋友玩起了做買賣的游戲，一會兒高聲叫賣，一會兒討價還價。孟母覺得這種環境也不利于孩子成長，便再次離開。這次，他們搬到學宮旁。學子們每日學習設俎豆祭祀祖先、揖讓進退覲見諸侯的禮儀，小孟軻也時時模仿，孟母欣然定居于此。

The Mengs lived quite near to a cemetery. Whenever there was a funeral, little Meng Ke would go along for the ride. His mother noticed that when he played games, he acted out what he had seen at a funeral — digging, burying, kneeling and wailing.

Thinking this was not what Meng Ke was supposed to learn,his mother decided to move away. They moved to a place near a busy market. Little Meng Ke played with his friends the game of peddlers, selling and bargaining loudly. Mother thought this would do no good to him, either, and decided to move again.Finally, they settled down near a school. Students there learned rites of offering sacrifices and the etiquettes of presenting oneself to the dukes. Little Meng Ke often followed their examples to do the same. Mother settled down there gladly.